{"id":2042,"date":"2015-10-30T16:39:51","date_gmt":"2015-10-30T15:39:51","guid":{"rendered":"http:\/\/www.cidark.com\/?p=2042"},"modified":"2026-02-04T14:29:08","modified_gmt":"2026-02-04T13:29:08","slug":"industrialization-and-architecture","status":"publish","type":"post","link":"https:\/\/www.cidark.com\/en\/industrialization-and-architecture\/","title":{"rendered":"Industrialization and Architecture (part I)"},"content":{"rendered":"<p style=\"text-align: justify;\">Dedicated to exploring the connection between <strong>industrialization and architecture<\/strong>, this post starts from the very beginning. It is clear that the confluence between the two started in the USA at the beginning of the 18th century with the <strong>\u201cballoon frame\u201d<\/strong> concept. This was a revolutionary technique which started from strips of wood, and allowed entire fa\u00e7ades, sometimes even entire buildings to be created in the factory before transporting them to the desired destination. Western movies are a good reflection of this form of construction, generally helping to colonize a country that is yet to be explored.<\/p>\n<p style=\"text-align: justify;\">Nevertheless, the real involvement between the two did not begin to grow until the early 20th century when <em>Henry Ford<\/em> optimized <em>Ransom Olds\u2019<\/em> chain production to market the \u201cFord T.\u201d Mass production meant a huge leap forward for the Industrial Revolution, enabling companies to offer quality standardized products at a reasonable cost for the working class. The <strong>Chain Production<\/strong>, the replacement, and the automation of tasks, now determined the <strong>industrial manufacturing industry<\/strong> as it tried to supply products to a society of millions.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.cidark.com\/wp-content\/uploads\/2015\/10\/ford-t.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2027\" src=\"http:\/\/www.cidark.com\/wp-content\/uploads\/2015\/10\/ford-t.jpg\" alt=\"Producci\u00f3n en Cadena\" width=\"543\" height=\"221\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">After the First World War, new cultural movements and avant-garde schools like \u201cBauhaus\u201d (1929) arose in Europe. Their goal was to integrate art and functionality through <strong>industrial processes<\/strong>, as well as <strong>establishing new standards<\/strong> and academic foundations for the next generation of <strong>industrial design<\/strong>. Lead by <em>Walter Gropius<\/em>, the \u201cStaatliche Bauhaus\u201d produced a great environment for the education and progress of modern artists, among which was <em>Mies Van der Rohe<\/em>, the father of architectural minimalism and author of the eternal phrase \u201cless is more.\u201d<\/p>\n<p style=\"text-align: justify;\">At the same time, in June 1928 architects such as <em>Le Corbusier<\/em> and <em>Sigfried Giedion<\/em> funded the <strong>CIAM <\/strong>(<strong>International Modern Architecture Congress<\/strong>)<strong>.<\/strong> The CIAM was a factory of ideas created to work on a movement considering the simplification of forms along with the absence of any ornament. Alongside this, it included a renounce of classic academic compositions which had been replaced by new modern art trends. (i.e, cubism, expressionism, neoplasticism, futurism&#8230;)<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2029\" src=\"http:\/\/www.cidark.com\/wp-content\/uploads\/2015\/10\/CIAM-02.jpg\" alt=\"CIAM\" width=\"541\" height=\"231\" \/><\/p>\n<p style=\"text-align: justify;\">However, among all contributions of the CIAM, the implementation of new materials such as steel and reinforced concrete, combined with new manufacturing technologies is what made the real difference in architecture. Until the first half of the 20th century, modern architecture followed a trend that <em>Ram\u00f3n Araujo<\/em> defined as \u201cintegral seriality\u201din his article \u201cAssembly Lines.\u201d It was <em>Le Corbusier <\/em>who defined the concept of a house as a \u201cmachine for living in,&#8217; alongside implementing the design of complete building models to be produced consecutively. In order to get these consistent designs, <em>Le Corbusier<\/em> started with \u201cLe Modulor,\u201d a measuring system he developed to find a mathematic relation between the human being and nature. The goal of all this, was to use the module as the basis of his architectural plans. Therefore, his proposals were much more than a mere <strong>standardization of components<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.cidark.com\/wp-content\/uploads\/2015\/10\/MODULOR-03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2030\" src=\"http:\/\/www.cidark.com\/wp-content\/uploads\/2015\/10\/MODULOR-03.jpg\" alt=\"Le Modulor\" width=\"542\" height=\"176\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">The <em>\u201cUnit\u00e9 d\u2019habitation\u201d<\/em> architectonic icon of the 20th century, is a clear example of the how buildings were standardized for their replication. This icon is an influential building (140 meters long, 24 meters width and 56 meters height), that contains 58 duplex apartments per level, only accessible through a big internal corridor located each three storeys. Based on reinforced concrete panels, the building was created in a way that allows great permeability on the surface, thus creating a communication space between interior and exterior. The roof was raised as one of the major social areas, including an athletic track of 300m, covered gym, nursery and much more. The first of these units to be constructed was Cit\u00e9Radieuse (1945) while Nantes-Rez\u00e9 (1952), Berl\u00edn (1956), Briey-en-For\u00eat (1957) and Firminy (1960) came afterwards.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2031\" src=\"http:\/\/www.cidark.com\/wp-content\/uploads\/2015\/10\/unit\u00e9.jpg\" alt=\"Unidad Habitacional\" width=\"543\" height=\"221\" \/><\/p>\n<p><em>References:<\/em><\/p>\n<p>*Ram\u00f3n Araujo.\u00a0<em>Cadenas de Montaje.<\/em> Arquitectura Viva N\u00ba 156<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dedicated to exploring the connection between industrialization and architecture, this post starts from the very beginning. It is clear that the confluence between the two started in the USA at the beginning of the 18th century with the \u201cballoon frame\u201d concept. This was a revolutionary technique which started from strips of wood, and allowed entire [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2040,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[87],"tags":[157,155,156,158],"class_list":["post-2042","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","tag-ciam","tag-industrialization","tag-modern-architecture","tag-standarization"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Industrialization and Architecture (part I) | CIDARK<\/title>\n<meta name=\"description\" content=\"A brief review of the origins of both disciplines industrialization and architecture, from the &quot;ballon frame&quot; to the middle of the XXth century.\" \/>\n<meta name=\"robots\" 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